Christ Cheap Ralph Lauren Sale and the atomic bomb www.rcamb.com.au Don coscarelli’s highly inventive comedic horror film, bubba ho tep, has garnered a thoroughly wonderful score from brian tyler.The film, based on a laudable joe r.Lansdale short story, has to do with elvis, alive and well and living in east texas, saving the earth from the onslaught of the soul sucking mummy named bubba ho tep.Tyler, whose efforts last year on such intricate and energetic scores as timeline, darkness falls, and children of dune have really elevated him to hollywood composer of note status, plays it straight throughout the wry film;He embraces the film’s almost surreal sense of humor with musical elements that are reflective of elvis’ country tinged pop without completely losing the score’s necessary dramatic edge.Tyler surveys a swaggering, recurring instrumental riff for electric guitar that sounds down home peaceful even as it ripples with restrained energy.The tune is very compelling, richly performed on clear toned and fluid electric or acoustic guitars, and really invests the film with a strong emotive flavor and a terrific gentle cadence.Tyler performed the score by himself, enhancing the electronic ambiences with layers of natural instruments including, guitars, drums, electric bass, bouzouki, timpani, and so on, all of which integrates very well in creating an eclectic and very satisfying musical texture that supports the score’s characteristics very well.It isn’t often a horror score can boast an elvislike instrumental riff, but tyler carries it off splendidly.It never emerges as awkward or even tongue in cheek silly, although the music definitely grins.It is definitely one of the best scores of the season.William stromberg and john morgan are more than the team responsible for those dynamic marco polo restorations of classic film scores like the ghost of frankenstein and the adventures of robin hood, they’re also a terrific composing team.They just finished scoring starship troopers ii(We’ll be speaking with them [img4r]about that in another week or two), and a pair of stunning soundtrack recordings has just emerged, exclusively from:The world premiere release of atomic journeys/nukes in space, and the re mastered re issue of stromberg’s trinity and beyond:The atomic bomb movie.All three films, each from filmmaker peter kuran, are sobering one of a kind documentaries on nuclear weapons, tracing the history and uncertain future of the atomic bomb(Or the planet earth, however your glass is half full or half empty viewpoint may be).The films are stunning in their visual splendor, and there is something undeniably and disturbingly beautiful in their lavish, widescreen images of mushroom clouds and explosive forces.It was the job of stromberg, in trinity and beyond, and the both of them in atomic journeys and nukes in space, to keep the film on an even keel and maintain the semblance that these pictures portray something of cosmically destructive proportions.Trinity is a simply amazing score.Stromberg’s sums up the terrible destructive power of nuclear weapons through an oppressive, surging of severe herrmannesque orchestral and choral undulations, a compellingly dramatic and dynamic arrangement of suspenseful statements and florid figures, and an appealing adventurous and lyrical motif in”Operation crossroads”That is uniquely williamsesque in its flowing melody and rhythm, while”Armada annihilation”Is a brooding march not unlike something accompanying toho’s godzilla, another cataclysmic destructor of mankind.In fact, much of trinity sounds as thought stromberg were scoring a horror picture and in many ways, he is.Expertly performed by the moscow symphony orchestra and chorus and featuring additional music by john morgan, lennie moore, and edgardo simone, this accomplished score to what is now regarded as”The atomic bomb movie,”Sounds better now than it ever hasstromberg and morgan’s music for the two sequel pictures, presented on a double cd set, follow the same sobering suit, with even more of a bernard herrmann tonality to them.The scores contain bold and astonishingly powerful orchestral manueverings, all darkly tinged as if shadowed by an oppressively dark and consistent mushroom cloud, but there area few moments of respite along the way.Journeys features a few unique and compelling action motifs, the energetic brass rhythm of”Travel to alaska”And the delicious quirkiness of”Back to las vegas,”Which soon shifts from urban rhythms to a bates motel ish resonation.The desolate and melancholy orchestral aria,”Alaskan wasteland(Cannikan)”Serves as a moody break between those two cues.All three of these scores provide a riveting sonic experience, terrifically recorded and presented.But at the same time he also provided scores of dramatic depth and potency, like end of days and the scorpion king, the relentless ferocity of the relic, and the lavish swashbuckling energy of cutthroat island.But if you still think debney’s just the guy tapping out the fluffy tunes for princess diaries and spy kids, you’ll need to have a listen to his serious and sensitive composition for mel gibson’s the passion of the christ.The powerful film opens on february 25th, with the soundtrack cd due out from sony the day before, but let me give you a nickel tour of john debney’s passion score.I was fortunate enough to gain an advance listen to the music, and it’s which is unlike anything you’ve heard from debney’s baton before.I’ve been impressed by debney’s versatility and capable handling of projects large and small, serious and comedic, but this one really takes the leavened bread.Debney has crafted a stunning and intricate mosaic which vividly captures the period, the place, and the passion that gibson’s actively embraces.From the respectful piety of rozsa, the melancholy of newman, the jagged motifs of jarre, the disturbing ambiences of peter gabriel, and the rhythmic melodies of patrick williams, music for films about jesus have always seemed to inspire respectful and poignantly dramatic musical compositions.Emphasizing strings and voices and appropriate ethnic instruments of the place and time, debney joins these ranks and crafts a living musical backdrop for this tale of tales.Debney builds a primary theme rich in pathos and integrity, seemingly capturing both the humanity and godliness embodied within the nazarene carpenter.It’s a very honest score there are no stereotypical angelic choruses or stock heavenly choirs;Rather debney has unleashed his considerable musical sensitivity to develop a composition that reflects much of the character of christ himself the music is reverent yet humble, steadfast yet uneasy, tortured yet resilient, rich with enduring love.This segues into an extended soliloquy, sustained chords of violins and voice layered upon one another, the quiet time after the glory of the resurrection, when prayerful introspection absorbs the unfathomable and christ’s disciples are left to ponder the meaning of this new, incredible truth.It’s an intensely powerful and considerate score, beautifully conveyed, and it works very well as rich and powerful music no matter what your interpretation of the events of those last dozen hours of bc may be.Soundtrack film music newsafter his much anticipated score for mel gibson’s the passion of the christ, composer john debney will returns to familiar comedy territory with the score for the whole ten yards, directed by howard deutch with whom debney previously worked on the replacements.Bruce willis and matthew perry reprise their roles from the whole nine yards(Scored by randy edelman).The film was originally to have been scored by christopher young, but as changes on the film pushed the opening date into 2004, young found himself in a scheduling conflict.He is now working on an unfinished life, lasse hallstr m’s new drama.The mystery is on:Varese sarabande’s web site posted an intriguing notice announcing that, on february 10th, the label will announce what they consider to be the greatest single cd club release ever!This of course has led to intense debate among the soundtrack community as to what that might be, with free form speculation ranging from a lavish restoration of alex north’s spartacus to”Fantasia on predator, a 10 cd release, boxed with liner notes hard bound in a moroccan leather, french joints and contrasting calfskin labels. “The subject of this release will most likely continue to be a tight lipped secret until the 10th.James horner has two new scores coming up:The forgotten and bobby jones, stroke of genius.The first is a”Supernatural thriller in the vein of memento and the sixth sense”Directed by joseph ruben(The good son, sleeping with the enemy, money train)And starring julianne moore, gary sinise and linus roache.The bobby jones film tells the story about the legendary golfer, portrayed by jim caviezel.John morris’ critically acclaimed, academy award nominated and long out of print score for the elephant man, featuring one of the most devilish waltzes ever written for the cinema, Ralph Luaren Australia is one of two cds included in milan records’ upcoming david lynch box set.Morris’ score is accompanied by angelo badalamenti’s score for mulholland dr.The box will be available on 24th february.On the same date, milan is also releasing a new ennio morricone compilation.This is a exclusively packaged disc with a hardcover cd book.In terms of the musical selections, the cd features themes from films such as the mission, once upon a time in america, metti una sera a cena, the inheritance, the master and margaret, lolita, rampage and cinema paradiso.Music from the movies.Music composed and produced by kyd is also featured in the debut movie trailer for the game. “The hitman:Contracts score follows the dark, sinister nature of the third hitman game,”Said kyd, who scored hitman 2:Silent assassin and its predecessor hitman:Codename 47. “The soundtrack is a dark and adventurous score mixed with suspenseful electronica elements,”He added.Kyd has written more than 90 minutes of original music for contracts.The 76th annual academy award nominations have been announced today.Following a debacle over eligibility, howard shore gets a nomination for the return of the king.
